Diagrams vox humana on kimball reed organ

#Diagrams vox humana on kimball reed organ manuals
#Diagrams vox humana on kimball reed organ full

Some gluing and clamping and of course reed cleaning. The sides of the wooden shafts of the sharps were also painted in their original matt black. I lightly sanded them and polished them with bees wax. The sharps were quite pitted and worn but have cleaned up nicely. I have sanded the sides of all the keys and polished the key tops to a nice shiny finish. So a lot of buttons to be glued and pins cleaned. The subbass is also activated by as set of adjustable buttons on the bottom of the key. A lot of the the coupler buttons had also split and they felt here was very worn so I replaced that too.

The felt on most of these was in very good condition so I just replaced six of them. A lot of these had split and had to be glued back together and the pin glued back in place. Each key has an adjustable button on the top of the long style key which activates the pitmans for the upper reed reed chest. I usually use pool table cloth for that job. Unusually I found that I needed to use the thickest rebushing felt sold by Schaff supply house. I started this website on June 17th 2008. As a rule, the stop is used with a Tremulant, which undulates the wind supply, causing a vibrato effect. In the top item Dashboard, there is a link called 'Luister' to listen to clips of recordings of reed organs. The Vox Humana (Latin for 'human voice ' also 'voix humaine' in French and 'voce umana' in Italian) is a short-resonator reed stop on the pipe organ, so named because of its supposed resemblance to the human voice. We present literature on history of reed organs, we present and make aubible music for reed organs. The keys on this organ have had all their bushings replaced. This websit was built to have the spotlights on reed organ and harmonium. The coupler needed to be cleaned and has been reinstalled and part of the sub-bass mechanism has been cleaned and reinstalled. The swell shades had were re-sealed and shellack applied and reinstalled. A sketch of the 1893 Votey organ featured at the 1893 Worlds Columbian Exposition. Reeds were removed and cleaned.ДЄll the pitmans had all their felt collars replaced and new graphite applied. Recognizing the economic potential, several other notable American organ builders developed player mechanism, including Austin, Estey, Kilgen, Kimball, Moller and Skinner (257). All the pallet valves have been re-leathered and the springs cleaned everything re-installed on the underside of the reed pan. In our restoration of the instrument, no tonal changes will be made, save the addition of a 32' Untersatz.The reed pan was thoroughly cleaned, sanded and resealed and shellacked. The existing electro-mechanical combination machine will be replaced in favor of a new Virtuoso system as built by Integrated Organ Technologies.

The existing ivory keys will be completely restored with lost ivories replaced with period ivorys from our stock.

#Diagrams vox humana on kimball reed organ full

Special care will be given to the reed stops in the organ to ensure their proper and full tone production, and proper tuning stability.ДЄs part of our project, the existing Schlicker console will be retained. Fugara String A flue stop in 4 or 8 pitch. Flageolet Flute A romantic style flute in 2 or 1 pitch.

#Diagrams vox humana on kimball reed organ manuals

non-trackers, and the politics of the organ world, you'll love this forum. organs Fagotto Bassoon Fagott Reed one of the earliest pedal reeds at 16 It can also be found at the same pitch on the manuals of larger organs, as part of the manual reed chorus. Every pipe, save 1-12 of the 16' Principal, will be removed to our Atlanta workshop for cleaning/restoration. If you want to argue your point of view on such issues as pipes vs. Other additions have been made, including 16 reed extension and 4 Koppelflute and extensive digital/MIDI stops through console selector box. We will releather the Schlicker electro-pneumatic (pitman) windchests, using time honored techniques and only premium, chrome-tanned leather for many years of reliable service. Builder: Kimball-Welte (1935) Originally Odenbrett & Abler (1883) 2004 additions by Orvold-Fruhstuck. After nearly 60 years of reliable service, the instrument shows signs of deterioriation. The instrument incorporates pipework from the original Kimball organ at the church, including a wonderful 16' Principal (large-scale, open wood), the Swell 8' Salicional/Voix Celeste pair, Choir 8' Dulciana/Unda Maris, and 8' Vox Humana. It also 'synthesized' various other instrument sounds by imitation, including the 'Vox Humana' stop which is a reed stop has some similar characteristics to the human vocal tract. Built in 1956, the Herman Schlicker pipe organ at First United Methodist Church in Anniston, Alabama has been a musical landmark in the area. The Organ is probably the worlds first 'synthesizer' In the sense that it allows one to re-map the inputs to create different outputs.